In the fall of 2010, photographer Pete Pin devised a makeshift portrait studio in his grandmother’s garage in Stockton, California. As he photographed her, she recounted the details of her family’s experience in Cambodia during the regime of the Khmer Rouge. It was the first time she had ever shared these memories, and Pete found himself struck by a sense of “history and a connection to the past that had been for so long withheld…”. Strongly effected by the encounter, Pete began talking to Cambodian-Americans all across the country, attempting to parse their personal stories — ones of “trauma, displacement, and resilience” — into a larger, collective tale of perseverance and, most importantly, hope. The finished portrait of his grandmother is above, alongside a pre-revolution family portrait that was one of only two family possessions saved from before the Killing Fields, in 1972.
Hear more stories, and check out more of Pete’s work, by visiting his project page here.
(via magnumfoundation)
Karen Mirzoyan
Point of View
Photographs by Karen Mirzoyan on the Unrecognized Islands of Caucasus.
Mirzoyan’s full EF project is available to be viewed here http://bit.ly/rqANva.
Karen Mirzoyan
The Russian Reporter, The War After the War
Photo essay by Karen Mirzoyan
To view Mirzoyan’s EF project in entirely click here:http://bit.ly/rqANva
Karen Mirzoyan
Esquire Magazine, The Rules of Life in Russia
Photographs by Karen Mirzoyan
To view Mirzoyan’s full EF project click here: http://bit.ly/rqANva
